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Gwendolyn Audrey Foster is a prolific American film scholar〔〔〔York College of Pennsylvania, Literature/Film Association Annual Conference, October 2012, Humanities and Social Sciences Online, (Conference ), Accessed Oct. 26, 2013, “...keynote speakers ... Gwendolyn Audrey Foster,..."〕 with a focus on numerous areas related to cinema,〔Mike Hollins, October 15, 2010, Daily Nebraskan, (Film professors prescribe lesser-known horror cinema ), Accessed Oct. 26, 2013, “... Dr. Gwendolyn Audrey Foster... Terror of Frankenstein ... mesmerizing and thoughtful..”〕〔Daily Nebraskan, Mike Hollins, December 3, 2010, (Film professors share underappreciated holiday classic ), Accessed Oct. 26, 2013, “... Gwendolyn Audrey Foster, an English professor at UNL, said she dislikes the idyllic outlook of most holiday films...”〕〔Kendra Marston, 2013, Jump Cut: A Review of Contemporary Media, (English ladies to liberators? How Pirates of the Caribbean and Alice in Wonderland mobilize aristocratic white femininity ), Accessed Oct. 26, 2013, "... Gwendolyn Audrey Foster explores the film performances of classic Hollywood star Mae West...〕〔Interview, September 22, 2003, Film Criticism, (Every Frame Was Precious": An Interview with Wheeler Winston Dixon ), Accessed Oct. 26, 2013, “...Dixon discusses his work with the Gwendolyn Audrey Foster ...”〕〔Daily Nebraskan, January 27, 2011, Mike Hollins, (3-D movies prove successful at box office, despite difficulties in filmmaking ), Accessed Oct. 26, 2013, “..."I think the problem is that studios are not run by visionaries anymore..”〕 often with an emphasis on gender studies and women.〔Mayne, Judith. Book Review: Gwendolyn Audrey Foster. Women Filmmakers Of The African And Asian Diaspora: Decolonizing The Gaze, Locating Subjectivity and Kenneth W. Harrow, Ed. With Open Eyes: Women And African Cinema. In Research in African Literatures. Spring 1999, Vol. 30, No. 1, pp. 238-240. Accessed Oct. 26, 2013〕〔Judith E. Pike, January 1, 1997, Literature/Film Quarterly, (Women-of-Color Filmmakers ), Accessed Oct. 26, 2013, “...Foster, Gwendolyn Audrey. Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale and Edwardsville: Southern Illinois University Press, 1997. 177 pp....”〕 From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the ''Quarterly Review of Film and Video''.〔〔Film Criticism, Allegheny College, (Film Criticism ), Accessed Oct. 26, 2013, “...with Gwendolyn Audrey Foster, Editor-in-Chief of the Quarterly Review of Film and Video. ...”〕〔Inside Higher Ed, (Quarterly Review of Film and Video ), Accessed Oct. 26, 2013, “...The editors (Wheeler Winston Dixon and Gwendolyn Audrey Foster) of Quarterly Review of Film and Video...”〕 Critic Michael Rowin described her 2003 anthology ''Identity and Memory: The Films of Chantal Akerman'' as "impressively comprehensive."〔MICHAEL ROWIN, 2003, The Film Society of Lincoln Center, (BOOK REVIEW: IDENTITY AND MEMORY: THE FILMS OF CHANTAL AKERMAN ), Accessed Oct. 26, 2013,〕 She is currently a professor of English and film studies at the University of Nebraska at Lincoln.〔 Foster received a B.A. Degree in English from Rutgers University in 1983 and received a doctorate at the University of Nebraska at Lincoln in 1995.〔2013, Curriculum vitae, (Professor Gwendolyn Audrey Foster ), Accessed Oct. 26, 2013〕 Foster has written about film-related topics such as censorship,〔Staff writer, April 11, 2011, Daily Nebraskan, (Summer session discusses film censorship throughout history ), Accessed Oct. 26, 2013, “..."Censorship: Forbidden Hollywood," ... Gwendolyn Audrey Foster...”〕 screenwriting,〔 underground film,〔 Hollywood film,〔March 1, 2005, Helen Addison-Smith, (E.T. Go Home: Indigeneity, Multiculturalism and 'Homeland' in Contemporary Science Fiction Cinema ), Accessed Oct. 26, 2013, “...In Gwendolyn Audrey Foster's investigation of the performance of whiteness in Hollywood cinema..."〕 avant garde film,〔Stuart Minnis, July 1, 2003, Journal of Film and Video, (Experimental Cinema: The Film Reader ), Accessed Oct. 26, 2013, “...EXPERIMENTAL CINEMA: THE FILM READER Wheeler Winston Dixon and Gwendolyn Audrey Foster, eds. ... the American avant-garde.”〕 history of film,〔 film criticism,〔 French filmmakers,〔 Asian cinema,〔 cultural studies, feminist and Marxist critical theory, and women directors〔Bowling Green State University, Cynthia Baron (editor), The Projector Film and Media Journal, (Lois Weber: Woman Filmmaker Anne Marie Sweeney ), Accessed Oct. 26, 2013, “...In Women Film Directors: ... Gwendolyn Audrey Foster argues ...”〕 such as Grace Cunard〔National Women's History Museum, Women in Early Film, (Women Behind the Camera: Women as Directors ), Accessed Oct. 26, 2013, ...“Cunard’s depiction ... notes Gwendolyn Audrey Foster...”〕 and Japanese artist Yayoi Kusama.〔Gwendolyn Audrey Foster, October 18, 2013, (Yayoi Kusama: The Orgy of Self Obliteration ), Accessed Oct. 26, 2013, “...Gwendolyn Audrey Foster writes frequently for Film International....”〕 Along with filmmaker and scholar Wheeler Winston Dixon, Foster has made films including the 1991 documentary ''Women Who Made The Movies''〔The New York Times, 1991, review, (Women Who Made the Movies (1991) ), Accessed Aug. 25, 2013, “...This documentary by filmmakers Gwendolyn Foster and Wheeler Dixon pays homage to women directors and filmmakers...”〕〔Film Search, 1992, Chicago Reader, (Women Who Made the Movies ), Accessed Oct. 26, 2013, “...Gwendolyn Foster and Wheeler Dixon's 1992 documentary surveys the history of women filmmakers in Hollywood...”〕 as well as the 1994 film ''Squatters''.〔Film listing, 1994, WorldCat, (Squatters ), Accessed Oct. 26, 2013, “...Authors: Wheeler W Dixon; ... Gwendolyn Audrey Foster...”〕 She has published extensively in ''Film International'', and has written many film-related books and articles. ==Books== * ''Hoarders, Doomsday Preppers, and the Culture of Apocalypse'' (Palgrave Pivot, 2014) * ''Class-Passing: Performing Social Mobility in Film and Popular Culture'' (Southern Illinois, 2005) 〔 * ''Performing Whiteness: Postmodern Re/Constructions'' (SUNY, 2003)〔 * ''A Short History of Film'' co-written with Wheeler Winston Dixon (Rutgers, 2008)〔 *''Captive Bodies: Postcolonialism in the Cinema'' (State University of New York Press, 1999)〔2012-2013 Graduate reading list, ACS List, University of New Mexico, (American Studies ), Accessed Oct. 26, 2013, “...Gwendolyn Audrey Foster, Captive Bodies: Postcolonial Subjectivity in Cinema (SUNY Press, 1999) ...”〕 * ''Identity and Memory: The Films of Chantal Akerman''〔 * ''Women Film Directors: An International Bio-Critical Dictionary''. Westport: Greenwood Press, 1995〔 * ''Experimental Cinema: the Film Reader'', London: Routledge, 2002〔Film Journal, 2013, Underground Resources: Index, (Underground Film Bookshelf ), Accessed Oct. 26, 2013, “...Below is a list of books written about the history of underground film. ...Dixon, Wheeler Winston, and Gwendolyn Audrey. Foster. Experimental Cinema: the Film Reader, London: Routledge, 2002. ...”〕 * ''21st Century Hollywood: Movies in the Era of Transformation'', co-written with Wheeler Winston Dixon, Rutgers University Press, 2011〔Wheeler Winston Dixon, July 2012, Screening the Past (film magazine), (The Anatomy of Harpo Marx ), Accessed Oct. 26, 2013, “... 21st Century Hollywood: Movies in the Era of Transformation (co-written with Gwendolyn Audrey Foster, Rutgers University Press, 2011);...”〕 *''Troping the Body: Etiquette, Conduct and Dialogic Performance'' (Southern Illinois University Press, 2000) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Gwendolyn Audrey Foster」の詳細全文を読む スポンサード リンク
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